It’s the not knowing

I’ve never really had many hobbies. As a young boy in the early 80s, I tended to adopt pastimes that had the potential to permanently enshrine my virginity. For instance, I collected matchbox covers for a short while, which I arranged in a scrapbook according to their country of origin. I also collected beer mats, which my grandad used to pick up for me from the local Legion. It was oddly exciting to be presented with a pristine Babycham mat, or a slightly damp and dog-eared one featuring Hofmeister’s George the Bear, scooped off a pub table through a puddle of spilled bitter and Cinzano. By the time my interest in beer mats waned, I probably had enough for an exhibition at the V&A.

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A tweed-cloaked vampire

A couple of months ago, Campaign magazine featured frog-faced demagogue Nigel Farage on the front cover of their ‘Love & Hate’ issue. They used Charlie Clift’s portrait of the Brexit Party dictator, which shows the smirking scourge of ‘the elite’ in a pinstripe suit, sporting £200 cufflinks, drawing on a £20 Hoyo de Monterrey Epicure Especial Cigar. That Farage has managed to portray himself as a non-elite – fighting for “good, ordinary, decent folk” – is a unique ‘brand’ of deception in itself.

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From Bing to the Black Death

I have various recollections of being genuinely scared by things when I was a child. After seeing Jaws on TV in 1981, I remember leaping from the bedroom door to the safety of my bed – pronking like a springbok – because in my seven-year-old mind, the blue carpet was ‘the sea’. (And Quint’s gruesome death has always stayed with me.)

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Is this who we really are?

I recently saw a video of a threadbare crowd gathering in Swindon town centre, awaiting the arrival of UKIP’s MEP candidate for the south-west of England: Carl Benjamin.

The Swindon Advertiser (circulation: 8,191) described Benjamin as “Rape tweet UKIP hopeful” (a wonderful ‘current position’ update for his LinkedIn profile) who made a “rock star-style entrance” to launch his campaign. In spite of the scene being eerily reminiscent of the time Robert Plant strutted into town carrying a folding patio chair, ahead of an electrifying performance in front of the Swindon branch of Vodafone, Benjamin’s “cheers of support” consisted of approximately 10-20 people chanting “Sargon! Sargon! Sargon!”, which was no louder than a group of imbeciles in a pub beer garden egging on a friend to gulp down a pint of his own piss.

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From Pickle to No Deal Brexit

In January 2011, as a lone security guard sat idly watching television in a small portakabin, a group of urban explorers known as the ‘London Consolidation Crew’ quietly slipped, undetected, into what was generally considered to be one of the most secure sites in the capital: The Shard.

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Essential viewing

Young boy standing in front of the TV watching Jason and the Argonauts

I watched Jason and the Argonauts the other day with my four-year-old son. It was one of my favourite films to watch as a boy (on many a rainy Bank Holiday), so I thought he might appreciate the sword fights and variety of weird and wonderful mythological creatures. So we snuggled up on the sofa together and watched as Pelias brutally murdered one of King Aristo’s daughters, coldly running her through with his xiphos as she cowered beneath a statue of the goddess Hera.

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Number two

Before my second son was born, I experienced a genuine concern that I might not have enough love to lavish on another child. For some reason, I started to think that love was something quantifiable, something finite, that I could potentially run out of. To illustrate this point in a slightly stomach-churning David Cronenberg style, it felt like my shirt was concealing a pulsating, fleshy gauge, clumsily grafted onto my chest, which would show a crimson-coloured liquid at dangerously low levels. I already had a son that I adored and doted on, so I panicked that I would fall short for ‘Number Two’. Where would I find all that extra love?

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Fucking awful people

“A woodlouse munching on a fleck of shit on the floor of a toilet cubicle” may sound like a trigger phrase for an MK-Ultra assassin, but it’s something I witnessed once during a quiet trip to the loo at work. It was a truly depressing sight. A lone crustacean with possibly the most miserable existence on the planet, unknowingly providing me with an analogy for what every day on Twitter would feel like in the future: existing on a diet of shit but longing for someone to drop a fragment of Twirl.

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Paul Pogba in a bathtub

Whenever I watched A Question of Sport in the 1980s – with the mighty triumvirate of David Coleman, Emlyn Hughes and Bill Beaumont – my favourite bit was always the ‘mystery guest’ round. It was usually someone like Neville Southall disguised as James Herriot, where the sequence would include:

  • occasional flashes of an out-of-focus moustache
  • footage of arm length veterinary gloves being rolled on
  • a long-shot of Southall/Herriot plunging his arm, elbow deep, into a cow’s anus
  • close-up of the cow’s face; its default expression of masticating nonchalance replaced with wide-eyed alarm, as it’s left in no doubt as to how Southall’s paddle-sized hands were able to deflect Mark Falco’s close-range header when Everton played Spurs at White Hart Lane in 1985.

Who would’ve thought that this ‘tease and reveal’ approach would become the blueprint for how every modern day football transfer would play out. (In fact, Arsenal’s social media tease video for Alexandre Lacazette was lifted straight from the QS ‘mystery guest’ playbook.)

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